Burton Teams With K-Pop Writers for 50 Foot Woman Remake
The gothic filmmaker joins forces with the creators behind Netflix's hit series to reimagine the 1958 B-movie classic, potentially setting a new standard for Hollywood remakes.
Legendary filmmaker Tim Burton has joined forces with Danya Jimenez and Hannah McMechan, the creative duo behind K-Pop Demon Hunters, to breathe new life into the 1958 B-movie Attack of the 50 Foot Woman. The collaboration marks an unexpected pairing that could transform how Hollywood approaches classic film remakes.
The original 1958 film told the story of a woman who grows to enormous size and kills her cheating husband and his mistress before dying herself. The plot was straightforward and grim, typical of the era's low-budget science fiction offerings.
Why This Creative Team Could Succeed
K-Pop Demon Hunters became a worldwide sensation when it launched on Netflix in 2025. The series combined infectious music with compelling storytelling, creating an entertainment experience that resonated across cultures and age groups.
Burton brings his signature gothic sensibility and expertise in blending horror with whimsy. His filmography includes Batman, Beetlejuice, and Corpse Bride, all showcasing his ability to find beauty in darkness and make the macabre accessible to mainstream audiences.
The combination of Burton's visual style with Jimenez and McMechan's proven ability to create engaging characters could transform the giant woman from a tragic monster into something genuinely compelling. Their track record suggests they understand how to balance spectacle with substance.
A New Model for Hollywood Remakes
Hollywood's current remake obsession typically focuses on upgrading visuals while keeping stories largely unchanged. Studios invest in better CGI, sharper cameras, and 3D technology but rarely reimagine the source material's fundamental problems.
This project represents a different approach. Instead of simply updating a beloved classic, Burton and his collaborators are taking a flawed original and fixing its core issues. The 1958 version suffered from weak character development and a depressing conclusion that offered little satisfaction.
By choosing to remake a B-grade film rather than a cherished classic, the team avoids the trap of disappointing fans who hold the original sacred. They have creative freedom to experiment and improve without facing accusations of ruining childhood memories.
The success of this approach could encourage other filmmakers to mine forgotten gems from cinema history rather than recycling recent hits. There are countless films from the 1950s and 1960s with interesting concepts that were poorly executed due to budget constraints or outdated social attitudes.