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Edgar Wright's Running Man Hits #1 on iTunes After Theater Flop

Edgar Wright's Running Man Hits #1 on iTunes After Theater Flop
Image credit: Legion-Media

Stephen King adaptation finds new life on digital platforms despite mixed fan reactions and poor box office performance during its theatrical release.

Edgar Wright's bold reimagining of Stephen King's dystopian thriller has claimed the top position on iTunes streaming charts, marking a dramatic turnaround for a film that struggled to find its audience in theaters. The adaptation, which divided King enthusiasts from its initial release, has discovered unexpected success in the digital marketplace.

From Box Office Disappointment to Digital Triumph

The movie's journey to digital dominance tells a familiar story in today's entertainment landscape. While critics and audiences remained split on Wright's creative interpretation of King's source material, the film's theatrical performance fell short of studio expectations. However, the transition to video-on-demand platforms has breathed new life into the project.

iTunes users have embraced the dystopian action film, propelling it past established competitors to secure the coveted number one streaming spot. This digital success demonstrates how modern viewing habits continue to reshape the film industry's traditional release patterns.

Fan Reception and Creative Choices

Wright's approach to adapting King's work sparked considerable debate among longtime fans of the original story. Some praised the director's distinctive visual style and narrative innovations, while others questioned whether the changes honored the spirit of King's vision. These mixed reactions contributed to the film's lukewarm theatrical reception.

Despite the polarized response, the movie's climb to the top of digital charts suggests that home viewers are more receptive to Wright's creative risks. The convenience of streaming platforms may have allowed audiences to approach the film with different expectations than those who saw it in theaters.